On a Wing and a Prayer (Compilation, UK, Teesbeat, 1985)

RATING - 7/10

This particular compilation isn't exactly a huge mystery among NWOBHM collectors, though it's still a nice find if you ever locate a copy for a reasonable price. The Teesbeat label was active for the best part of a decade at least, with a studio facility under the same name in Stockton-on-Trees and always showing a laudable disposition to help new bands from the North East of England to reach the vinyl stage - it was, for instance, where Black Rose released their first 7'' single way back in 1982. It seems they released a grand total of three LP compilation during the label's lifespan, this 1985's "On a Wing and a Prayer" being the second (the other two, 1984's "The New Bowery" and 1986's "Rumour Sets the Woods Alight", are hopefully appearing around here sooner rather than later), and it's nice to find out that Teesbeat always allowed the bands they picked to lay down at least two songs for their releases, which not only render the records more cohesive but also gives the hopefuls in question a more generous space to show whatever talent they had. Not that much going on when it comes to genuinely heavy music (and only one act that can be securely labeled as NWOBHM), but still a pretty interesting compilation if we're to be honest, and more than worthy of a proper review around here.

It seems that the LP came out with different inserts, depending on what bands were trying to sell it - an interesting move indeed, as it allowed the groups in question to use it more effectively as a promotional item. Some surviving copies have two, or even three sheets with information about the bands; with that said, it's unfortunate that I'm working with a copy that has no insert at all, as I would be really glad to offer some significant info about Trixter, the only bona fide NWOBHM outfit here featured. Still, let's try to put together the pieces of what little we know about them, always hoping to add new information when it surfaces. The group seems to have been short lived, but fact is that many important local scenesters seem to have had some level of involvement with the combo, most of all guitarist Miles Lofthouse, who also made the rounds with Millenium (as well as their brief re-christening as Tyrone-Power) and thrashers Major Threat. Though the origins of this particular family tree lie in a early 80s combo named Avarice, where Lofthouse first joined forces with Nigel Crooks (I was told once he was a drummer, but I can be wrong, so let me know if you happen to know better), it seems that Trixter was an offshoot from a post-Avarice project, whose name is not yet known and that seemingly recorded a demo or two before adopting the new Trixter guise. Guitarist Jeff Leighton probably took part on the recordings for "On a Wing and a Prayer" as well, and I believe the bass lines were played by Kiko Rivers, who would later record with the most recent incarnations of Black Rose. Have no idea on who was the singer though (maybe it was Nigel Crooks after all, and the band had another drummer, who knows?).

As for the pair of Trixter's originals here featured, "Burn So Bright" starts missing a drum beat, no less, which is quite uncomfortable first time around, But don't give up on them just yet, as this is a pretty interesting (though definitely quirky) heavy number with nice guitar arrangements and a lot of different (and creative) parts for its relatively short running time. The basslines give something of a new wave vibe to the whole thing though, and it takes more than a single listen to really get into what they're trying to reach here. In the end, this may not be the most accomplished of songs, but it's still engaging and enjoyable, and bonus points to the lads for trying to think outside the box and find their own, distinctive sound. "Fraulien", on the other hand, was obviously mispelled on the album cover (I'm not a scholar in German, you know, but I guess they meant to say "fraulein", you know), but does no wrong when the needle hit the grooves: it's a hard-hitting, catchy, full-blown heavy metal tune, and the most interesting track for metalheads when it comes to "On a Wing and a Prayer", hands down. Nothing too complicated going on (though the lead guitarist does a pretty good job with his virtuoso melodies during the instrumental section), but everything works quite well and hints of a band that could have really made it further in the business if given some encouragement and/or financial backing. Well done, lads. 

From the other five bands included, I'd say that Secret Garden's "Tsantsa" is the next best thing as far as us heavy metal enthusiasts are concerned: quite an energetic power pop tune indeed, with some psych rock intonations in places, most of all in the tension-building "shaking your head" chorus. There's also a very interesting solo section towards the end, with some near-metallic melodies that truly deserve a mention. Not NWOBHM by any stretch, but quite a nice song nonetheless, though it ends rather abruptly and leaves the impression that they could have had kept their good thing going a little longer. The other contribution from them, "Summer of Hate", is a mid-tempo number where the new wave influences are far more prominent, though it's still a power pop number for the most part. Not as good as the previous number, unfortunately, and you'll most likely forget it as soon as it's over, as there's nothing too out of the ordinary going on. I also enjoyed True North's "The Wintergarden" - despite a bombastic, deceptive intro, we're into indie rock / post punk territory here, with undeniable similarities to early The Cure and another pretty charming guitar solo halfway through. A good opening number for the LP, which is the exact opposite situation with their "Photographs of Jane", an indie rock ballad carried along by acoustic guitars and loud (though mostly not too intrusive) basslines. It's not a bad composition, but it sound a bit like a three-minute intro rather than a proper song, as you can't help expecting it to explode into a full-band arrangement and it just never happens. The compilers should have allowed the LP to close with "Fraulien" and insert this tune somewhere else in the running order, as it's hardly an exhilarating (or particularly impressive) way to finish proceedings, but there you have it.

Also of some interest for those who enjoy heavy music is The Outfit's "Hazy Down", an acoustic ballad with a contemplative (and somewhat grandiose, almost epic) vibe. It's mostly a voice-and-guitar kind of tune, with the full band appearances basically serving the purpose of enhancing the tension and/or emotion in particular parts. The result is somewhat intriguing, let's put it that way, and it could even pass as a semi-metal ballad under different circumstances, so give it a careful listen and perhaps you might enjoy it. "Listen" is pretty much the same formula, though it's a more typical new wave tune with prominent (sometimes nearly intrusive) keyboards, the semi-acoustic vibes being restricted to the chorus this time around. It lacks energy for the most part, and the doo-doo-doop-pah-pah-pah vocal arrangents halfway through are very annoying I'm afraid, so there's very little for us metal collectors to enjoy here, though it's by no means a disgraceful track at all.

The rest of the pack is of minimal (if any) interest for us metalheads, so let's be brief about them. Secret History offer us a Bossa-nova tinged, definitely pop-inclined new wave in both "Won't Let You" and "Peace of Mind" - the latter being quite an oddball actually, with the previous description augmented by some reggae/ska guitar arrangements overwhelmed under a heavy coating of keyboard/brass saccharine. That being said, I think "Won't Let You" is a decent song that mostly fulfill its promises, with a gifted female singer and very nice basslines throughout. As for The Restrictors, their "Peanuts" number is a rock/ska collision that strongly remind me of some similar attempts by The Clash, though with more busy vocal lines (and with a strong cockney accent going on) and instrumentation. The production values doesn't help, as it sounds like there's just too many people playing in the room - the kind of feeling you get when watching a rehearsal from a not very cohesive band, if you know what I mean. As for "Own Little World", it could have been a half-decent Oi! tune in a Cock Sparrer vein, if not for the strident (and very annoying) brass and mellotron arrangements all over the place. Punk/ska collectors may enjoy it, anyway.

Unfortunately, "On a Wing and a Prayer" turns out to be an apt album title, as none of these hopefuls ever managed to make it big. In fact, most musicians and bands involved simply vanished from the scene, with Trixter being one of the few instances where something can be said of their sophomore activities. It seems that the band didn't really last for long after their vinyl appearance, as Miles Lofthouse was recording a demo with Tyrone-Power even before the year was out, and both Nigel Crooks and Jeff Leighton were involved with an outfit named Bedlam later in the decade. Nigel would become a studio engineer and sound designer in later years, with a fair number of projects to his credit (he would produce a demo for Lofthouse's thrash project Major Threat, for instance) before his untimely passing in 2023 (RIP dude, and thanks for all the music). There are rumours of a third Trixter tune floating around, named "In the Heat of the Night", but it's actually the same "Burn So Bright" under a different name - a confusing development indeed, as it's how Nigel Crooks himself named the track on his Soundcloud account. Maybe it was originally called "In the Heat of the Night", and the "Burn So Bright" came as a last-minute decision from someone involved with the label? One can't be sure by now, but there are no other Trixter recordings floating around as far as I know, with this "On a Wing and a Prayer" being the only chance to listen to their considerable collective talents. Some may hesitate to buy a full LP by virtue of a band alone, but "On a Wing and a Prayer" won't cost you a lot more than you'd have to pay for an obscure 7'' single if it was the case, and most of the music is decent at least, so I would say you can do far worse than putting some hard earned cash on this one if you have the chance.

Extra thanks to Discogs for picture and label scans

Side A

01. TRUE NORTH - The Wintergarden
02. SECRET GARDEN - Tsantsa
03. SECRET HISTORY - Won't Let You
04. TRIXTER - Burn So Bright
05. THE OUTFIT - Listen
06. THE RESTRICTORS - Peanuts

Side B

07. THE OUTFIT - Hazy Down
08. THE RESTRICTORS - Own Little World
09. SECRET GARDEN - Summer of Hate
10. SECRET HISTORY - Peace of Mind
11. TRIXTER - Fraulien
12. TRUE NORTH - Photographs of Jane

Have you been involved with any of the bands mentioned here? Have any extra info and/or corrections? Please e-mail me (drequon@gmail.com) and let me know!

Offering of Isca (Compilation, LP, Micro Records, 1985)

RATING: **

This extremely rare compilation with an extremely unassuming cover did not really raise any eyebrows among the NWOBHM collector scene until relatively recent times, when someone actually came to know there were some Heavy music to be found there. But it was always a sought-after artefact for obsessive collectors involved with Krautrock, Synthpop, Minimal Synth and similar subdivisions of electronic music - something that, coupled with the undeniable scarcity of the LP, rendered it a very expensive purchase with outlandish prices being asked every time it cropped up for sale. Produced and compiled by Circuit 7 member Martyn Good (also one of the partners in Micro Records, or so it seems), "Offering of Isca" is a fair-balanced compilation when it comes to the most prominent musical genres at the time - there's at least two bands sure to appeal to the NWOBHM enthusiasts (maybe three, if you're a more broad-minded collector), so it's more than justified that I drop a few lines about it.

Renegade Angel's "Hell's Let Loose" is a good enough tune indeed - a mid-tempo track with a driving rhythm and distorted guitars reminiscent of none other than Venom (I kid you not). But don't think we're talking of some Black Metal wannabes around here: it's much more of a Hard Rock-Heavy Metal collision (it even reminds me of Silverwing's "Rock and Roll are Four Letter Words", for instance) that sounds quite amateurish most of the time, although I tend to think it adds charm to the track rather than ruining it. "Classic Offender" is slower and heavier, sounding a bit like Shock Treatment's "Nuclear Warfare" (more dedicated NWOBHM addicts will know what I mean) but still keeping the not-really-professional vibe of the previous number. The final section of the song is more forceful though, trying to give a dynamic feel to the composition, with acceptable results. Not bad really, and Renegade Angel is surely a welcome inclusion into the realms of British 80s Metal.

Prowler is quite an overused name when it comes to NWOBHM, but this is yet another one, being unrelated to all the other ones a NWOBHM addict could number. "Sanctuary" is perhaps the best song of the entire compilation when it comes to Heavy Metal: a reasonably forceful song with simple-but-good riffing and some more sedated parts, specially at the chorus. It reminds me of bands like Sparta and Sabre, being a pleasant composition as a whole - it could have been included in some of Ebony's compilations without being out of place, for instance. I would completely agree with the guys from Corroseum on "Murder & Revenge" though: this one is a very basic hard rocker that actually seems closer to Stooges and New York Dolls than anything more Metal-related. Markedly inferior to the other song they deliver here, but still worthy of a spin or two, I suppose.

Of the other bands featured, The Outfit's "Reckless" is the closer we'll get to Metal territory around here. The guitar work is OK, and the composition reminds me in places of more poppy moments from undoubtedly NWOBHM bands - a bit like Midas' "Can't Stop Loving You Now", just to give you an example. More charitable Metal addicts may even enjoy it (I indeed enjoy it a little, to be honest), but there's a sax making a solo where a guitar should be, so don't get too over-excited about it if you are a purist. "Stealing with the Boys", on the other hand, is a strange Reggae-Metal type of tune (I tell you no lies) where a surprisingly strong chorus appears coupled with yawn-inducing Peter Tosh-like instrumentation in places. It's difficult to make a strong opinion on this song, but I guess most long-haired metalheads would discard it straight away. Personally speaking, I actually kinda like it, so The Outfit gets out with a not-really-convinced but still sincere thumbs-up, just to acknowledge their good guitar work and their will to experiment.

Circuit 7 is a synthpop outfit with more than a passing resemblance to Kraftwerk - needless to say, not exactly a winning formula if you want to capture the heart of a Heavy Metal fan. That said, "India" is slightly interesting, as it seems to have some influences of progressive rock in its structure - although the faceless (and tuneless) vocals leave a lot to be desired. You're unlikely to listen to it more than once though, and "Beat Tonight" is actually pretty risible even for electronic music standards, I guess. The least interesting band here by a long stretch, at least in my honest (but perhaps unfair) opinion.

Finally, we can succintly describe V.o.K. as a surprise package. You can easily live without ever listening to "Lonely Boys, Lonely Girls" unless you are a dedicated Minimal Synthpop collector, but "Nukes of Terra" is a major improvement - even being miles away from a Metal song, it's actually one of the most enjoyable compositions of the entire LP! Its post-punk, near apocalyptical atmosphere works very well and the chorus sticks to your mind in no uncertain terms. It's not a surprise to know that most electronic music collectors want "Offering of Isca" because of this single track, as it's easily the most unique and accomplished composition of the LP, and a remarkably strong offering (sorry about the pun) from such an unknown outfit. It really makes you wonder what these guys could have become if this song was the A-side of a proper single from a more high-profile label... A surprisingly good composition indeed, even more when you compare it to the other (very weak) contribution of V.o.K. here featured.

Needless to say, the bands who took part of "Offering of Isca" disappeared out of sight pretty soon after the LP was issued, with most musicians involved giving up on being rock stars and having (hopefully) very happy and wealthy lives away from the music scene. Circuit 7 was the most stablished band at the time, with two singles released in 1984, but they seem to have become history not long after that - though an LP of archive material called "Video Boys" was released as late as 2009. All the other bands plunged into oblivion after "Offering of Isca", with no individual releases or further compilation appearances before or ever since. Quite surprisingly, Renegade Angel decided to return from the wilderness at some point: they made a comeback gig in 2010 and created a Facebook page to keep those interested informed of further developments. Sadly, there's no updates since 2012, which tends to suggest they decided to lay the band down to rest once again - but let's hope for some further movement from the lads in the not-too-distant future.

See picture scans and labels for further details

01. CIRCUIT 7 - India
02. RENEGADE ANGEL - Hell's Let Loose
03. THE OUTFIT - Reckless
04. V.o.K. - Lonely Boys, Lonely Girls
05. PROWLER - Murder & Revenge
06. RENEGADE ANGEL - Classic Offender
07. PROWLER - Sanctuary
08. CIRCUIT 7 - Beat Tonight
09. THE OUTFIT - Stealing with the Boys
10. V.o.K. - Nukes of Terra

Extra thanks to Renegade Angel for picture scans!

Have you been involved with any of the bands mentioned here? Have any extra info and/or corrections? Please e-mail me at drequon@gmail.com and let me know!