sábado, 27 de junho de 2026

UNTER DEN LINDEN [???] (UK) - Demo (private, 1982)

RATING: 6/10

Ok, guys and girls, I'll be keeping an open mind on this one until someone who was actually there can help us to clear the blanks once and for all. I have received furtive indications of a mysterious demo from Unter Den Linden since I first got serious on NWOBHM research, back in the early 2000's - and the fact that it was supposed to have featured the vocals of none other than Brian Ross made the whole thing way more intriguing, to say the least. I mean, the same guy from Blitzkrieg and Satan? How? Well, as our collective knowledge of the period grew stronger, the truth of the matter became (a little bit) clearer, and now there's zero doubt that not only good Mr. Ross was indeed there, but that it also recruited future NWOBHM stalwarts Mick Moore and Gary Young for a short while, Unter Den Linden being basically the starting line for the project that would later be known as Avenger. Yeah, all this while recording the completely unrelated "Wings of Night" and "Man at the Bottom" songs for the well-regarded "Roxcalibur" compilation in 1982!

Yeah, I know. Quite confusing, right? Well, I won't pretend to know all the facts in minute detail, but I guess at least some clarification can be made around here, until someone close to the matter can finally educate us all for good. Whatever the case, my current answer to the question I know you're all asking (is this an Unter Den Linden demo after all?) will have to be an honest, but somewhat frustrating "it COULD be, and I think it is, but I just don't know for sure".

Unter Den Linden (named, quite bizarrely, after a boulevard in Berlin) were originally formed in Newcastle Upon Tyne, most probably in the first half of 1981, and centered around brothers Bill (B) and Malcolm Midwood (G). The duo, augmented by Kelly Scott (V) and the aptly German-sounding drummer Dieter Roth (D), recorded the aforementioned tracks for "Roxcalibur", released by Guardian in the very early months of 1982 - two pretty decent songs that doesn't fare bad at all IMO in a mostly very good metal compilation. I can't make a firm statement on whether this 4-piece recorded any further songs or not, though I'm strongly inclined to believe they never did, as "Man at the Bottom" and "Wings of Night" are known to have been laid down on tape for the exclusive purposes of the LP, and credible mentions to any prior activities by them are close to zero, as long as I could find at least (this including virtually non-existant references to any gigs, before or ever since). Whatever the case, this line-up seemingly fell apart not long after "Roxcalibur" hit the shops, with all members quickly dispersing (and never reappearing in any other metal bands, I'm afraid) and only Malcolm Midwood opting to soldier on.

Here is where the story takes a strange turn. I'm not really sure how they all got together, but it seems that Brian Ross (V) and Mick Moore (B) were trying to get a new act together after the untimely original demise of Blitzkrieg, and somehow they crossed paths with Midwood, agreeing to work alongside him to get a revamped version of Unter Den Linden off of the ground (why they would insist to adopt such an uninteresting band name is beyond me, though). It probably didn't took them much time to recruit a very young (no pun intended) Gary Young (D, and then only 16-years old), and soon a functional line-up were working on new songs. It was all short lived, though, and soon the Ross-Moore-Young trio opted to move away from the whole enterprise, forming a new venture under the Avenger guise and taking away with them many of the songs written in the interim. Only those who have been there would be able to tell for sure what happened, but I was once told (by a pretty respectable, though far from infallible, source) that the falling out happened because Midwood refused to add another guitarist to beef up the band's sound, all such sugestions by his colleagues being flatly dismissed by the axeman. 

The 5-track tape that has been doing the rounds for a few decades now (taken from a recording session that definitely comes from 1982) have been described as both a Unter Den Linden or Avenger recording, and there's no particular grounds to make a firm decision either way as yet, though I have the strong impression this is a Unter Den Linden demo after all. Two tracks that would soon be used by Avenger ("Hot 'n' Heavy Express" and "Too Wild to Tame") are here featured in nearly identical arrangements, alongside "Space Traveller" (a leftover from Blitzkrieg's early days) and raw, still formative versions of "Hunt You Down" (later to be used by Satan) and "Love's Too Late" (that found its definitive recording in Blitzkrieg's "The Mists of Avalon" CD). The repertoire makes a lot of sense as an Avenger offering, that's for sure, and the lack of songs that would undoubtedly belong to a different band is a bit suspicious, but I have a number of reasons to believe this one came from Unter Den Linden anyway. 

There's no evidence that Avenger have ever played "Space Traveller" live, for instance, and though a demo version of "Love's Too Late" (dated as from 1982) do appear as a bonus in a few reissues of their "Blood Sports" LP, it's undoubtedly a different cut from the one here featured, with significant differences on both guitar arrangements and vocal delivery. The exact same thing happens with "Hunt You Down", with a definitely different demo (also dating from 1982) appearing as a bonus on Avenger's "Steel on Steel" compilation from 2024. I personally don't believe Avenger would record two different demo sessions with the exact same songs in the space of mere months, unless they were trying such songs with a different guitarist (original Avenger axeman Steve Bird, if my guessing is correct). Besides, the fact that no songs from this mysterious demo were ever reissued either for Avenger or Blitzkrieg (both known for making extensive use of archive material throughout their discography) is something of a giveaway that none of the bands have the full rights on this particular recording, which comes as strong indication of a Unter Den Linden origin. 

There's not much reason to delve too deep on the demo's contents, as most songs are common knowledge for everyone that follows the fortunes of Avenger and/or Brian Ross. "Hunt You Down" comes without the memorable, gang-shouting chorus that makes the final version on Satan's "Court in the Act" so enjoyable (and I guess it justifies Russ Tippins, that had no connection with this demo whatsoever, receiving songwriting credits on Satan's LP), whereas "Love's Too Late" have a markedly different vocal melody from the rendition on "The Mists of Avalon", though the instrumental arrangements are mostly the same. "Space Traveller" is a decent song, but was never too hot when compared to the sterling material Blitzkrieg penned on their early days, and this particular recording doesn't enhance it in any significant level. As for "Too Wild to Tame" and "Hot 'n' Heavy Express", there's nothing out of the ordinary going on, but both are truly nice numbers in their own right, and those who love NWOBHM with a passion will sure delight on the prospect of listening to such early versions of these tracks. All things considered, this 5-track tape is quite a curio for NWOBHM collectors, and fills an important gap on the timeline of some acts we all came to love and respect, but you shouldn't waste any sleeping nights on it unless you're an obsessive completist, and most metalheads out there will surely be better served by the canonical versions of such songs. 

I have no idea of what happened to Malcolm Midwood after he found himself alone for a second time, though I think it's safe to assume no Mark III of Unter Den Linden ever surfaced, the guitarist possibly concluding that the whole stress of keeping a band together was simply not worth the effort. Curiously, it transpires that the axeman reappeared in the 1990's in a classic rock covers band named Witchkraft, that seems to have been active for at least the early 2020's and once featured the vocal services of none other than Tony Liddle (singer for Strangeways, Sergeant, Tygers of Pan Tang etc). Efforts are being made to locate him, and if we're all lucky enough I hopefully will soon be able to ask him a few questions and shed light on the whole Unter Den Linden / Avenger scenario once and for all. Fingers crossed!

Brian Ross (V), Mick Moore (B), Gary Young (D). Guitars probably recorded by Malcolm Midwood (though it's also possible that it was done by Steve Bird)

01. Hot 'n' Heavy Express
02. Hunt You Down
03. Space Traveller
04. Love's Too Late
05. Too Wild to Tame

Have you been involved with any of the bands mentioned here? Have any extra info and/or corrections? Please e-mail me (drequon@gmail.com) and let me know!

quarta-feira, 24 de junho de 2026

DREQUON'S OFFICIAL ANNOUNCEMENT (June 2026)

Not that huge of a change, but a pretty significant one nonetheless.
The short version: now I have a second blog. The long version goes as follows.

It all started with an e-mail I received about a month ago. Basically, the one who sent it felt that I should give up writing non-NWOBHM reviews altogether: in his opinion, the NWOBHM-related stuff is what makes this blog unique, and no one really cares about anything else I could write about, as such reviews are pretty easy to find all over the internet. I don't receive input from readers too often, you see, and this one really got me thinking. At first, my inclination was to dismiss it - you know, I'm the one who call the shots here, and it's not like people are paying me to do it or anything, so I'll do whatever the hell I want to do and that's it. But I kept thinking about it, and finally concluded that my good reader was essentially right: it was a kinda blunt way to put it perhaps, but NWOBHM-related content is indeed the most important thing around here, and posts regarding other genres and/or movements sure can distract people (and myself) from what matters the most. On the other hand, I don't feel like giving up on writing about other branches of music at all: I have been listening to non-NWOBHM bands and artists a hell of a lot these days, and will definitely need an outlet for such content whenever I feel like dropping a few lines about it.

That said, I'm here to announce two important developments:

- From now on, all content posted on Drequon's Playlist will be NWOBHM-related. Such definition includes 1) releases from NWOBHM bands (of course), either ancient or contemporary, regardless of how popular and/or well known the responsible acts may be; 2) individual releases from outfits that somehow got associated with the NWOBHM multiverse, even if the tag was misleading and/or the music itself is nothing of the sort; and 3) British Isles' local-band compilations from 1978 to the late 1980's, that may or may not include a contingent of NWOBHM acts in the proceedings. I won't delete any previous posts (as I don't want the related statistics to disappear), but I'm drawing a line here: from this post onwards, Drequon's Playlist is a NWOBHM blog, and that's what it will be to the very end;

- Today, I launch a new blog, DrequOn With the Action. This new space will present all non-NWOBHM reviews I ever feel like writing from now on, as well as all the similar reviews ever posted on Drequon's Playlist (included a number of reviews that were reverted to draft a long time ago and I never found the time to rewrite and/or repost here). If you good reader have any interest in such content, you are welcome to pay this new place a visit every now and then - and if you could not care less about anything but those esoteric, long-forgotten British bands from the early 1980s or thereabouts, all you have to do is to stay right here, where your NWOBHM thirst will hopefully be quenched. 

I'm trying to keep a more steady pace when it comes to write reviews - not that I feel any obligation to do so (I really don't, by the way), but I miss it if I stay away from it too long, and there's a lot I want to say about many bands and/or artists, a number of these being of minimal (if any) interest for NWOBHM aficionados. Similarly, I want to finally implement some extra NWOBHM content around here - I'm working on it as we speak, and, though I cannot make any guarantees, I'm optimistic about bringing at least some of it to light in the near future. Hopefully, this new arrangement will keep things organized and fresh, allowing me to have fun writing about whatever suits my fancy without forcing anyone to deal with undesired and/or distracting content.

A final note, regarding the Index page. The same reader who asked me to stick to NWOBHM content added that he felt this blog's Index to be misleading, as many of the acts there mentioned not only are non-NWOBHM, but appear only on compilations rather than individual releases, this meaning that they don't have any individual entries to begin with. Well, I do understand that the criticism is meant to be constructive, and I can see from where it comes from, but I decided to keep things just as they are, and there will be no changes in the Index system whatsoever. The reason is simple: it's a list of bands, not of releases and/or biographies, and I feel that adding more variants to that page would be hopelessly confusing and of little benefit for the casual searcher. If someone is looking for, say, Oxym and wants to read everything I ever said about them, it would be frustrating (and perhaps infuriating) to click on the link and find only the review for "Passing Through Gateways" (coming soon, I promise), having to go through another list and/or mechanism just to find the text about the "New Electric Warriors" compilation. I feel it's way more rational and intuitive to just keep all things in one place, you know. And sorry about not being able to write exclusive, comprehensive entries for compilation-only acts such as Kookoo Bazooka or Dimitrios, as unfortunately I don't have nor the time or the resources to delve deep enough on such nonentities, no matter how much I would love to do so in some cases. Maybe I'll exclude non-NWOBHM bands from the Index in the future, in order to keep the list more focused and easier to navigate, but I didn't made any firm decision on the subject just yet, so I guess we'll just have to wait and see, really.

(oh yeah, some minor changes in layout were implemented as well, including a clickable access to my Blogger profile - not sure why I did it, but nevermind - and a few fundamental links added to the sidebar. nothing too intrusive, I hope, and it may be of use for some people on occasion, so there you have it.)