EUPHORIA (UK) - BBC Session, 1981

RATING: **

There's not a great deal of info around when it comes to this mysterious outfit, one of those bands that, seemingly out of nowhere, somehow managed to record a session for BBC Radio One's "Friday Rock Show". The four songs from Euphoria were broadcasted in December 11th 1981, and it's fortunate that Tommy Vance's introduction to the session was preserved on tape, this being the primary source of reliable info when it comes to this elusive band.

Actually, it transpires that Euphoria was the solo effort of a certain Peter Leyden, a guitarist based in Tyneside who recorded a few demos in his own bedroom - pre-empting the boom of home-made recordings of the late 90s in at least a full decade - and, fearless of the consequences, sent the recordings to the famous radio rock show. Quite unexpectedly, Tommy Vance really enjoyed what he heard and asked Euphoria to lay down a session for the Friday Rock Show - something that created a bit of a problem for Peter Leyden, as there was no proper band to assist him in the first place. Everything was put together in a hurry, I suppose, but somehow he managed to recruit Ken Donaldson (B) and Alan Hepplewhite (D) to help him out in the short term, with Leyden himself assuming vocal duties.

Musically speaking, you won't get much of NWOBHM after all, as Euphoria's music is more in an unpretentious melodic rock vein, with pleasant (but quite uncomplicated) guitar arrangements and simple, puerile lyrics. The comparisions with Jimi Hendrix's music done by Tommy Vance in his preambule are not that off-the-mark, as there's definitely a feel of a bygone age - but of course don't expect anything near the guitar attack of good old Jimi, as it surely wasn't even the intention here. It's not that hard to enjoy listening to Euphoria's music, but there's nothing memorable in it too - apart from the simple-but-catchy riff of the first song, I simply can't remember anything else after listening to it, no matter how much I try. As I'm working with mp3 files who ommit the part where Tommy Vance revealed the name of the songs, your guess is as good as mine, although I think that "Looking For You" (the opening track) and "Don't Want To Lose You" (the third song) are safe bets and I would be surprised to be wrong in that. All things considered, though, I wouldn't really recommend it unless to the more open-minded NWOBHM fans, as the only logic connection of this bunch with the genre we all love is that they recorded a session for BBC while the NWOBHM boom was still pretty much going on. It's not bad at all, though - give it a chance and perhaps you might enjoy it a lot more than I did.

I'm almost entirely certain that this session for Friday Rock Show was the swansong of Euphoria, rather than the breakthrough that perhaps they thought it would be. I wouldn't be remotely surprised if they never even took shape as a proper band at all, being together solely for the purposes of this one and only recording session. Whatever the story, Euphoria vanished into oblivion in a matter of weeks after their session was broadcasted, never to be heard from again. I seriously doubt that any of the musicians involved took part in any other bands of note in later years, but i's quite difficult to determine further details on this subject. On the other hand, I was informed that Peter Leyden may actually have died not a long ago, which would no doubt be really unfortunate - but, you know, it will happen to us all eventually, so may God rest his soul. If you happen to know anything else about them (or took any role in their fortunes, even the slightest), I would wholeheartedly invite you to get in touch...

Last update: June 16th, 2013

Peter Leyden (V, G), Ken Donaldson (B), Alan Hepplewhite (D).

Tracklist unknown

Have you been involved with any of the bands mentioned here? Have any extra info and/or corrections? Please e-mail me at drequon@gmail.com and let me know!

THE NEXT BAND (UK) - Four By Three (EP, Gannet Records, 1978)

RATING: ***

This reasonably obscure EP from 1978 may not fit that well into the NWOBHM timeline, but it more than deserves the tag if we judge it on musical merits alone, and the musicians involved are also of interest for British Metal fanatics, so let's treat it as a NWOBHM release from now on, shall we? The humble origins of The Next Band (quite a bad name for a Heavy Metal band, guys) seemingly trace back to 1977 (the very height of punk rock), with Rocky Newton (V/B), John Lockton (G) and Frank Noon (D) joining forces to form a hard rocking outfit to call their own. The "Four By Three" EP came around a year after the group's inception, recorded at the Fairview Studios in Kingston upon Hull and released in september of that year, according to some sources.

It was a very early release by NWOBHM standards, for sure, but those of us with a fondness for the genre will surely find good reasons to rejoice on this humble 7''. It's not archetypal NWOBHM at all, that's for granted - it sounds more like a quirky variant of the usual 70's Hard/Heavy music, borrowing a bit of the punk rock intensity, but not more than that. Malc McMillan, in his NWOBHM Encyclopedia, compares Next Band with the slightly more well-known Money, and it's a good reference point indeed, although I reckon that this particular bunch is a tad more heavier and intense. It's a curious and historically-relevant release, as it really justifies the notion of a pre-NWOBHM period in British heavy music - and it makes you ponder just how much the NWOBHM boom in the early 80s could actually be something being gestated for quite a while prior to its acknowledged influx.

From the four cuts included, my personal favorite would be "Close Encounters" (yeah, it does start with the inevitable five-note intro from the movie), a direct, heavy rocker with a simple-but-nice chorus and good guitar work in a very adequate NWOBHM vein. The semi-atmospheric mid section could have been chopped off, I would say, but it's brief enough to be overlooked, the final results of the track being enjoyable as a whole. "Never On A Win" is more of a melodic tune with Thin Lizzy-like twin guitar, which atempts to create a sing-along chorus without much of a success, but we're sure far from any disaster scenario here. Quite the reverse actually, as the track works well as a whole and may put a smile on the face of many listeners.

The B side starts with "Red Alert", a run-of-the-mill, mid-tempo rocker that won't set any pulses racing but won't make for a painful listening experience neither, although the semi-acoustic interlude (they seem to have had something of a difficulty with mid sections, you know) is entirely disposable. The final track "Too Many Losers" is quite an improvement, though, being another intense number with guitar work totally attuned with the NWOBHM revolution that was lurking just around the corner. And the (notably heavy) mid section actually works quite well here too! The sound production is adequate (albeit slightly poorly mixed IMO) and the Metalomether alarms reasonably loud on this one, so don't hesitate to add it to your collection if you find it for sale at a payable price. Damn sure I will do so if I ever have the chance!

As I'm sure many of you are aware, drummer Frank Noon would actually assist the later-to-become-huge Def Leppard on their vinyl debut EP in late 1978 - the two bands being close friends and seemingly sharing the idea of putting some self-released vinyl out for the masses to purchase (they even recorded it in the same studio facility, you know). Noon was never an actual member of Def Leppard, though - and, unlike their feline-inspired local rivals, The Next Band was never to reach any nationwide stardom, although they tried to reinvent themselves as Red Alert in 1979, in a bid to suitably join the NWOBHM bandwagon. Red Alert would soon rename themselves as Wildfire (not to be confused with the band of the "Brute Force and Ignorance" and "Summer Lightning" LPs), but didn't manage to last long in this incarnation, being disbanded just a few weeks after their "Run to Ground" 7'' was released in late 1980. Frank Noon and Rocky Newton would join Lionheart, while John Lockton lent his services to Wild Horses, Badlands and also German heavy rockers Victory and Rated X in later years. After Lionheart was no more, Rocky Newton found employment on the McAuley Schenker Group for a number of years, while sticksman Frank Noon kept himself quite busy, lending his services to bands such as Stampede, Dianno, Roadhouse (where he joined forces with ex-Def Leppard's guitarist Pete Willis, incidentally), Waysted and Bernie Tormé, among many others. He is still active to this day (or so it seems), which is heartwarming, I would say.

Rocky Newton (V, B), John Lockton (G), Frank Noon (D).

01. Never On A Win 3:31
02. Close Encounters 3:58
03. Red Alert 3:46
04. Too Many Losers 3:10

Have you been involved with any of the bands mentioned here? Have any extra info and/or corrections? Please e-mail me at drequon@gmail.com and let me know!